michael moore (5)

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By now most of the FM ning readers will have seen and/or heard of this (somewhat 9/11-like tragic and disturbing event)--that hit the Washington, DC city and Capital Hill (the White House of the USA Government) on Jan. 6, 2021. 

The purpose of my short blogpost here is to put in my 'vote' for all of us to be very aware, smart, and fearless in our thoughts and imaginations about what happened that day (Jan. 6, 2021). I say this after my research on fear and fearlessness (and fearism [1]) for the last 25 years or so and how it is so important to not just fall into all the rhetoric, tropes and narratives being "spun" by all kinds of agendas, and politics, and extremisms. So, I call the Jan. 6 event an example (with more to come) of the organization and dynamics of how 'two sides danced' (i.e., opposites that have made an enemy out of each other for a long time)--to create this phenomenon now recorded in US history and recorded as a 'message' to EVERYONE--that, "Domestic Fearism" (my term for it)--is not going away (for it also has been a process, a phenomenon, boiling in the base of the mountain and awaiting to explode in the classic hurling lava of rage, fear, hate, call it what you will--violence, by any other name. The chaos and irrationality laying just below the surface. But wait... even I am susceptible to fall into easy narratives, I could even so easily pick sides in the "battle" on Capitol Hill (and, everywhere in America, at least)-- I too could fall into the fear-based 'design' of perception, thinking, valuing, worldview and rhetoric and actions of those all who are clearly upset by what happened that day--and, prior. 

This is all I'm going to write on this today, to just start FM ning members thinking about this all--and, the perennial problem in all forms of governance from the beginning of human history, you know I'm talking about when people don't get along--when conflict is part n' parcel of living in groups. Oh, but today, I trust we can be a lot more intelligent in figuring our way through this crisis of governance which this demonstration above truly shows--our failure in a lot of parts of governance. It is no one's (only one's) fault that any of this symptom exists and erupts--sure, some will be spear-head leaders but they are "not the problem" in the roots of the phenomenon, I will continue to call "Domestic Fearism" --a more nuanced and critical conception rather than calling it "Domestic Terrorism" as many (including Michael Moore, Marianne Williamson[2]) have already chosen to call it. Let's keep having a deep conversation on this, and preferrably from a fearlessness standpoint (rare and difficult as it may be to pull off)--rather, than the classic and habitual fear standpoint. Let's talk... 

Addendum: 

I just made a video on Michael Moore's intense emergency raw talk on Jan. 6/21 events and what is following soon. You might want to watch this but I'd suggest do it with a friend, ally or group, as it can be quite terrifying and traumatic material. I am both supportive and critical of how Moore does this work. https://www.youtube.com/watch?v=tgP1aDxLeag

Notes: 

1. "Fearism" is my specialty and conception of choices (amongst other frames and terms and theories)--because I am convinced it will be emancipatory for all human beings (and yes, all citizens, and yes, all who are on either side of the current enemy-making that is actually 'storming the entire nation' --of America--but also around the world). There is a lot of writing on "fearism" and "philosophy of fearism" on the internet and on the FM ning (just do a search here on our FM ning front page for more info.). I am particularly pointing out in my title for this blog that of one expression of fearism that is--fearism-t which is the toxic form of "fearism" (as Desh Subba has coined)--see our book for more on this distinction: Fisher, R. M., & Subba, D. (2016). Philosophy of Fearism: A first East-West dialogue. Xlibris. To be very short, "domestic fearism" is the best way to understand "domestic terrorism"--and, that applies as well to finding a better way to understand terrorism in general--as fearism is the underbelly, the more quiet and less dramatic dynamic and reality that is always going on in oppressive societies--building up suppression, repression and violence of many forms--all of which, when built up enough, some eruption will come from that fearism and 'blow' to become an obvious form of terrorism (e.g., like what was seen Jan. 6). If we only try to understand terrorism without fearism, that will lead inevitably to such a partial and distorted analysis of the problems going on and that of course will undermine finding a real set of solutions deeper below the surface where fear breeds--and, virtually everyone on this planet is (more or less) a contributor to the "manufacture of fear" (and, fearism-t). 

2. For more background on my interest and study of Williamson's work and her political ambitions etc., see my upcoming book soon off the press: The Marianne Williamson Presidential Phenomenon: Cultural (R)Evolution in Dangerous Times (New York: Peter Lang, 2020). 

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How I Understand The Political Sphere

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I think one of the better teaching videos, with giving my background on how I make meaning of politics distinct from the political sphere is "The Great Citizen: Future Process Politics & Learning" from several months ago. I talk about my reasons for studying 'stars' like Michael Moore, Jordan Peterson, Marianne Williamson as a few popular culture examples. This seems to be my new research and writing--with my latest book manuscript currently under review as a study of the 2020 Democratic hopeful Marianne Williamson--a 'great citizen' in my mind and a teacher who can guide many to becoming such. And, yes, I am critical too. 

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Michael Moore Meets Fearologist

In 2004 (one year after my dissertation on "Fearless Leadership") I was interviewed on Canadian national (CBC) Radio by one of the top program hosts (Shelagh Rogers). The live 18 min. interview (her in Toronto and me in Vancouver) is historical and a great moment in my life of possibility for "fearology" and the naming of the importance of fear's impacts. The program began as follows:

(S): Good morning!

(M) (Michael): Good morning Shelagh.

S: To begin, what’s a fearologist?

M: Well, a fearologist is somebody who studies the relationship of fear with, basically, Life. And that fear is not just what I’d call psychological fear but actually cultural, sociological, political fear.

S: And how did you become a fearologist?

M: Well, basically, I’m not trained in fearology. It’s hard to find anywhere that will give you a degree in that.

S: [chuckles] 

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It is 14 years later and such an interview with the public media has not happened since with anything more than the very brief media interview (clip) of less than a minute on air. It is quite possible that public media or even independent media radio or tv will not ever interview me again. I've learned lessons about this kind of thing over the decades. The 'snowball effect' that we all wish for when we are promoting a cause may or may not come in our life-times. It's a humbling reality.

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The point of sharing the Roger's interview is to point to my ongoing interrelationship with the art/activism (film making) of Michael Moore (B. and I went and saw his latest movie 11/9 last night... more on that later in this blog). Roger's and I also got into a discussion about Moore's award-winning Oscar film (2002):

M: I wish every parent, teacher and community leader would read the latest book on the culture of fear by Dr. Giroux, on how fear is being constructed through a cultural politics by elites in government, the military, and corporations—he says we are abandoning the young people of Gen X and Y. Democracy is being undermined by a culture of fear in a post-9/11 world. Giroux’s point, and mine, is that it doesn’t mean we don’t take action against terrorists, it means we don’t undermine democracy and all quality of life in doing it.

S: Michael, what is responsible for that?

M: Well I think you know media has unfortunately....

S: I’m leaving the studio.... [chuckles]

M: [chuckles] I know. I was just ready, you are going to shut the mic off here. I think it’s pretty clear that, Bowling for Columbine by Michael Moore, was a clear indicator of the impact that media has on constructing fear. So, I’ve been using this term, culturally constructed, or culturally-modified fear.

S: And Bowling for Columbine would be the culture of fear, leading to gun culture?

M: Gun culture and where we get in situations where one-third, for example, statistics, of housing starts in America are actually walled-communities. So, just think that one-third of housing starts are actually in gated or walled-communities.

S: Is the media it, Michael? Or are there other sources for the blooming of the culture of fear? 

**** [For the full interview script: https://fearlessnessmovement.ning.com/forum/dancing-with-shelagh-rogers-on-cbc-radio-18-minutes-for-fearology ]

Michael Moore also showed up in a photo entry https://fearlessnessmovement.ning.com/photos/3allies where I talk about why Moore is important:

"Michael Moore Meets Fearologist-II" (my 2nd video) go to https://www.youtube.com/watch?v=EJLdM85Rwts&t=4s

I have been playing with images of allies and enemies for a long time on my soul journey. I'll share some images of allies that I constructed in my 'avatar' imaginary "Second World" landscape and mindscape, as more or less, "useful" to where I was (and am) heading... [my 'shamanic' work]

For those of you not familiar, here are their names and you can look up their very interesting work over the decades:

on far left upper: Andrew Cohen; left upper Don Beck; left lower Ken Wilber

on far right upper: Marilyn Manson, on right uppermost Michael Moore, on lower David Icke

**** [For a recent critique on Moore's Fahrenheit 11/9 film go to https://fearlessnessmovement.ning.com/blog/mixing-art-activism-education-michael-moore-s-new-film

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Point of this imagery around Moore and my ongoing interrelationship to his work (and my critiques) shows he is deep in my psyche, you might say, and deeply connected to my soul, you might say. I believe he represents something I admire and am not happy about. I see a missed educative opportunity, a missed healing and transformative possibility... he get's people close to the point of great transition and then falls short and drops into a 'cheap' victimizational emotionalism and politics of the oppressed, without the sacred. He's a secular activist and it really hurts his work and potency for 'big' transformation in the world, in consciousness, and a healthy and growing criticality. He falls back into his American upbringing and media-based ways of "propaganda" (at some level)--because he is competitive to "win" (and good are over here and evil are over there).... he plays off the archetypal 'David and Goliath" story narrative always, to "win" fans and to try to "win" elections of better people or parties. Albeit, he shows in 11/9 that he is less and less convinced that any of the big political parties (Democrats or Republicans) are very good and yet he still believes new faces of new politicians can make the changes needed.

I agree and disagree continually with Moore's ways of "teaching" to make this improvement in society (especially, America). I won't go into this further and further but I have already said, that he doesn't handle the topic of fear very well because he has no theory of a praxis of fearlessness... he cannot get beyond victimization politics and emotionalism (see how he uses emotional close-up shots of faces of people in this film--it is really his main way of getting emotional reactions out of people--and manipulating affect for political and ideological gain--he's seemingly fine with that approach).

I cannot explain what it is but there is something very important in Moore's art in this world today. I have said often (see my latest video on responding to Moore and his 11/9 film just released) that I wish I could find a way to collaborate and advise Moore in his films. They are all, more or less, about Culture Wars (in a meta-context of a culture of fear)--and, now, in this latest film 11/9 Moore says very clearly that "evil" is here and we have to get rid of it. But unfortunately, he doesn't just scare people with this and images of the Third Reich (Germany, 1930s), he doesn't offer any deeper analysis and understanding (like from Hannah Arendt and her study of the "banality of evil" and how everyone contributes to the success of evil, if you want to call it that). No, Moore keeps things too clean and simple, and he searches for the iconic images of "glory" in his battle with the dark forces on the planet. And no more will you find his iconic (emotionalism) being played out but in the last 15 seconds or so when he takes one of the victims of the Florida mass shooting event in 2018 Spring, and zooms in on one of the high school students faces, eyes, at a podium, standing in silence, looking at the crowd, the viewer... this is what Moore likes to do--to try to show the "glory" of the traumatized fighting back, with this young woman's message and look of defiance to the authorities and those not responsible for ending gun accessibility to too many unsuitable people in America. Moore wants her face all over the screen--and, what I see is a young person highly traumatized fighting with bravado... some courage... and, a long ways away from fearlessness. This tells me the "gap" in Moore's secular activist work, and how he really has no model for liberation but continually talks about justice, peace, and such... but so does not seem to understand the nature and role of fear (and fearlessness)... he misses the "path" over and over, but comes so close to guiding people in a sacred way to "truth"--he rather, likes emotionalism-truth of victims (sad as that may be)--but that isn't enough Mr. Moore... you've not seen the bigger picture of what liberation is about. You ought to know better! Your award winning 2002 movie, long ago, had all the directions to take to deal with better understanding Culture Wars (especially in America)--and the culture of fear it produces. It seems you (Mr. Moore) have gone for the quick-fix cheap emotional hit to try to "win" an election with better candidates (not that this is a bad thing)... sorry, history shows that there is no ultimate victory or even small victory over evil, if we as a species do not do the deeper sacred healing and transformation of 'evil' (if you want to call it that)... I offer, as a fearologist, a much more nuanced analysis to the Fear Problem (Evil Problem)... and, I do that by not just putting icons of "glory" of victimization and trauma up as the "one's to follow" or "one's to inspire"--that's an old strategy that doesn't purvey the true spirit of fearlessness in a mature form, it is an immature form (better than nothing, sure)...

Just some thoughts for Mr. Moore and his followers... and, for fearologists of the future who will be needed to help out this situation that won't go away--call it "evil" if you want.

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Well, after a lot of years of making documentaries, in the 'wild' style of art, activism, and education... Micheal Moore has just had his newest film released last night (mostly on the Trump election and following disasters to democracy in the USA) and on "fear" (and "terror") of all kinds of fascist waves going on all over the world.. I look forward to seeing his latest film, and it is not because I love everthing Moore does and how he represents people and problems--the big and "wicked problems" that we have to face as humanity... but I like to see how he uses his art, smarts, and technologies to "create curriculum" for the 21st century.

I followed his work closely in the post-Columbine highschool mass shooting and how he approached the American "Gun Problem" (aka "Fear Problem") in his movie that won an Academy Award, Bowling for Columbine" (2002). 

I won't say much more at this point until I see the film, and listen to interviews of Moore... with the question in the back of my mind: "Is Moore a good artist, activist, educator?" and so far, I think he is a better artist-activist than he is an educator, and particularly I am referring to how he handles "fear" as a major topic... which runs all through all his best documentary works... in Bowling for Columbine he really was making a film about the growing "culture of fear" ... and its consequences...which, arguably, I would speculate have been brewing for a good 30 years in particular, and the symptoms are arising (e.g., gun violence) etc... and if you watch his 2002 award winning film, it is the "best" dealing with fear as a topic... and of course terror is not far away... in Fahrenheit 11/9 we'll no doubt once again see him dealing with "fear of Trump" and everything Trump represents ... watch carefully how he "teaches" us about what is going on and how best to understand fear/terror and how best to manage it... transform it... if he even gets to anything so complex... my critique of all his works (as he is a typical activist) is his stereotypes and polarizations (simplifications)--to create his stories. 

RECENT VIDEO RESPONSE of mine to Moore's interview on "Democracy Now" tv program (with Amy Goodman): 

https://youtu.be/ga5BZfV5UnA

 Most recent video (2nd one) https://www.youtube.com/watch?v=EJLdM85Rwts&t=4s

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New Teaching Videos: R. Michael Fisher

I have slowly been getting media savvy and starting to put out to public access some 15-30 min. teaching videos on themes related, more or less, to my passions and fear and fearlessness. 

The first one was done by Greg Wendt, a film-maker in Carbondale, IL, USA, on my approach to coloring and aesthetic development re: fearlessness practice.

The second one produced by my own amateur means from my home in Calgary, AB, Canada, on "Ethical Practice of Fearology"

The third one also produced on my own, is "Peer Counselling Outside of Distress"  (on my passion to bring Liberation Peer Counseling back to life after a long hiatus)

4. "Ethical Referents of Fearology"

5.  "The Fearology Institute: Introduction"

6.  "Study of Fear: A New Turn"

7.  "Developing a Critical Literacy on Fear"

8.  "Fisher Responds to Michael Moore: On Fear"

9.  "The 'Big Four' Talk: Advancements in Liberation"

10.  "Fear Vaccine Process: Two Stories"

11.  "Path of Fearlessness: Lucid Dreaming, Visions and Alters"

12.  "Fear(ism): Philosophy Along the Difficult Path"

13.  "Michael Moore Meets Fearologist-II"

14.  "FearTalk 1: Four Arrows & R. Michael Fisher"

15.  "Do's and Don'ts of Fearology"

16.  "FearTalk2: Luke Barnesmoore & R. Michael Fisher"

17. "Understanding Jordan Peterson 1: Social Implications"

18.  "Greta, Fear and Youths' Future(s)"

19.  "FearTalk 3: Luke Barnesmoore & R. Michael Fisher"

20.  "Understanding Jordan Peterson 2: Conflict Implications"

21.  "Understanding Jordan Peterson 3: Fear Implications"

22.  "Resistance to Fear Understanding"

23.  "Fisher's Big Discovery on Fear and Motivation"

24.  "When Fear meets Fearlessness"

25.  "New Ethical Leadership: Marianne Williamson"

26. Feartalk 4 (Part 1): Nicole Rallis & Barbara Bickel

27. Feartalk 4 (Part 2): Nicole Rallis & Barbara Bickel

28. L. E. T. 1: Shifting from a Coping Culture to Healing Culture" 

29. New Ethical Leadership: Marianne Williamson 2

30. The Great Citizen: Future Process Politics and Learning

31. History of Transformation 1: Who's Afraid of Change

32. L. E. T. 2: Process of Balance

33. History of Transformation 2: 

34. The Great Collapse: How Afraid Should We Be?

35. L. E. T. 3 : Reclaiming Our 10 Natural Healers

36. Depth of Psychology: Rebirth in the 21st Century

37. Marianne Williamson 3: Love and Fear

38. Psychotic 1: Loss of Baselines for Sanity 

39. L. E. T. 4 : Emotional Fitness & Existential Capacity

40. FearTalk 5: Janet Sheppard & R. Michael Fisher

41. L. E. T. 5: Stealing Attention is Fear

42. Ken Wilber: Unique Philosopher for Our Time

43. Defining Philosophical Disability: Notes to the Bitter End

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Also, I've produced with Barbara Bickel, a couple recent book trailers on my new books: 

"Fearless Engagement of Four Arrows: The True Story of an Indigenous-based Social Transformer"  (published 2018)

"Fear, Law and Criminology: Critical Issues in Applying the Philosophy of Fearism" (2018, still to be published in early autumn)

 

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