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terror (3)

I'd certainly rather talk about a much lighter topic than the near (potential) devastation of planet earth due to climate change and global warming caused by humans (e.g., CO2 and changing the surface of the earth so much it absorbs more heat)...

In the last few days myself and Barbara have been going through our own "existential crisis" as if it feels like at some point we just (really) GOT! the information of what is happening on the planet re: global warming and the reluctance of too many government and business leaders to ignore the impacts, when they could make substantial changes re: the biggest polluters, if they had the will to do so. Which means, if they had the moral courage, in the face of great social fear of being fully "green," of perhaps losing friends and losing money (at first)... and so on. It's risky to make the moral change in times like this.

I think the fearologists of the future (and today) will have to do their homework and really come up with ways to intervene in the way social fear gets in the way from all kinds of people and institutions changing in major ways. We need a (r)evolution of fearlessness. But over the last decade or so, even with calls for such radical shifts and such fearlessness, there is enormous inertia to do so. I find it a type of 'evil' that knows the problem but refuses to do anything about it (or does very little, and too late). Basic Premise: I have long theorized that the more the "terror" the more "fearless" as a new management system will arise and evolve and be available... the living cosmos is incredibly gifted to handle distress, fear/terror--we have to learned to pay attention to it's beautiful and available Defense Intelligence--and learn to work with it, and to "push" any lesser forms of defensive behaviors and thoughts toward a threshold where transformation can occur. It is not about being "hopeful" or "optimistic" for me, it is a matter of looking at the data and theorizing what has been happening on the planet re: Defense Intelligence (and, that is way beyond just humans, to be sure)....

Tipping points re: climate change and crisis after crisis on the planetary scale (e.g., major storms, extreme climate)... are more or less here on our door step. What we have to realize first, and it will be a great grief to admit, that humans (overall) have done some good things in evolution for sure, but late-industrial humanity and especially the urbanites, have now to 'take on' responsibility. A new book offers many creative ideas ("arts") etc. of how to live on this damaged planet. Here is the write up from amazon.com

"Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth.

As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch."

[extract from advertising on cover from "Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene" - note this is mostly an academic book]

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Well, after a lot of years of making documentaries, in the 'wild' style of art, activism, and education... Micheal Moore has just had his newest film released last night (mostly on the Trump election and following disasters to democracy in the USA) and on "fear" (and "terror") of all kinds of fascist waves going on all over the world.. I look forward to seeing his latest film, and it is not because I love everthing Moore does and how he represents people and problems--the big and "wicked problems" that we have to face as humanity... but I like to see how he uses his art, smarts, and technologies to "create curriculum" for the 21st century.

I followed his work closely in the post-Columbine highschool mass shooting and how he approached the American "Gun Problem" (aka "Fear Problem") in his movie that won an Academy Award, Bowling for Columbine" (2002). 

I won't say much more at this point until I see the film, and listen to interviews of Moore... with the question in the back of my mind: "Is Moore a good artist, activist, educator?" and so far, I think he is a better artist-activist than he is an educator, and particularly I am referring to how he handles "fear" as a major topic... which runs all through all his best documentary works... in Bowling for Columbine he really was making a film about the growing "culture of fear" ... and its consequences...which, arguably, I would speculate have been brewing for a good 30 years in particular, and the symptoms are arising (e.g., gun violence) etc... and if you watch his 2002 award winning film, it is the "best" dealing with fear as a topic... and of course terror is not far away... in Fahrenheit 11/9 we'll no doubt once again see him dealing with "fear of Trump" and everything Trump represents ... watch carefully how he "teaches" us about what is going on and how best to understand fear/terror and how best to manage it... transform it... if he even gets to anything so complex... my critique of all his works (as he is a typical activist) is his stereotypes and polarizations (simplifications)--to create his stories. 

RECENT VIDEO RESPONSE of mine to Moore's interview on "Democracy Now" tv program (with Amy Goodman): 

https://youtu.be/ga5BZfV5UnA

 Most recent video (2nd one) https://www.youtube.com/watch?v=EJLdM85Rwts&t=4s

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My Easter Message:

In a certain way, young people today are asking society "We" (adults) a big question: and, I think it goes something like this... (above image)... or, in another way, "If you really love us as you say you do, why do you bring so much threat, trauma and fear into our lives?" Adults are being held accountable to answer... (analogously, a variation on this underlying implicit question: Why do you continue to maintain a "coping culture" over a "healing culture"?)...

This image is centered on an activist "peace" button I found a few years ago, and I began doing some art work with it in an community co-housing group in Courteney, BC. This is my latest art image I made with the button modified in this digital piece, using African art image (excerpt) behind and through it. I like the sense of a wheel of time or clock moving along...a sense of the future imposing and questioning the present and past...also I shaped the rectangle button into more an hour glass timer form...with the Western button image and question--a dilemma that is truly coming to the fore in today's society, as you'll see in some of my latest blogs as I am giving some space on the FM ning for youth.

Youth are feeling "terror" deep below the surface, if not on the surface, about their ever diminishing futurity. If we as adults/society ignore this... we'll only add to the nightmare they and all of us are going into...

The dilemma of this question on the button will not go away. I think it is an excellent stimulus for further dialogues and responses and I look forward to anyone on the FM ning writing and responding to this. Is it a fair moral question? Is it stated in the best way? What other ways could it be stated that may be also useful or interesting? 

Anyone who has followed my work since 1989 knows that the issue of Love vs. Fear and how we are to manage our societies best, is always in my thought and theorizing--a great philosophical dilemma, I think worth more attention than we usually give it. 

 

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