Now and then, I believe the holistic-integral way of theorizing (my preference) requires an artistic and aesthetic (arational) flare as well as just the rational--and, the red blood-like mark making brings also in the irrational. Representing all domains as much as possible. We ought to understanding fear (and 'fear') from this kind of integrated knowing.
This is an art piece I did in my dissertation, from the art series I called "Platinum 'Fear': Plat du jour" (2002-03)
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