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Any philosophical inquiry into "fear" (with as diverse of meanings that it has)--has to include a historical and philosophical look at what people (e.g., like Hobbes) have done with the notion of "fear." In modern W. thought/philosophy, Thomas Hobbes (18th century) is a leading figure in this reconstruction. Today, there are a few thinkers, like myself, also involved in deconstructions and reconstructions of "fear." I just found this Abstract of a paper in Russian, that I wish was in English, because it looks fascinating, so I thought I would share the Abstract here (published in 2017 in Journal of Philosophy 21(4), 602-11. 

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Certainly this raises interesting questions, as part of a discourse and set of debates (mostly in social philosophy) as to what is the nature and role of "fear" in human societies and what should it be for optimal and healthy functioning? I think Hobbes, amongst others, was trying to make a more positive association for fear and even for adopting a fear-based positioning in terms of motivational priorities in the ways to construct a so-called rational (modern state)--society. There are lots of problems in my way of thinking about this strategy on his part, and it seems this Russian academic also has his problems with Hobbes. 

In my own Fear Management Systems theory (FMST), I have classified this fear-positivism manouever as 'common' for the last few hundred years, and especially common in the late 20th century into the 21st century. But I have also noted, both its valuable contribution and its potential pathological shadow dimension, based on FMST. Hobbesian thinking is a means of fear management itself--that is, a system of understanding and managing fear--with a particular agenda, in a particular historical and ideological context. Thus, it is not so simple to just say, oh, now we have not just irrational fear (the common view)--but there is a rational fear too. Not so simple, and that move of Hobbes and many others who follow this fear-positivism ideology do not even realize they are using an ideology to construct within, in order to rationalize "fear" and that itself can be very problematic for a lot of reasons, beyond the scope of my short blogpost here. I classify Hobbesian fear-thinking (philosophy) as FMS-4 --based on a spectrum of FMSs (i.e., fear management systems evolved from the beginning of human consciousness, history and before)--whereby, I see the spectrum having 10 identifiable FMSs 0-9. For more on my classification system, you can go to Fisher (2010). 

Reference

Fisher, R. M. (2010). The world's fearlessness teachings: A critical integral approach to fear management/education for the 21st century. Lanham, MD.: University Press of America/Rowman & Littlefield.

There are so many things one could say about this new film. I'll hold back for now, as I want to watch it a few more times before I write too much. However, there is a clear picture of the morphing notion of "The One" and what the latest movie Resurrections makes of it, with Trinity coming into her own--and, in fact women generally coming into their own to challenge the men characters and designers of The Matrix which controls human's lives (for the most part). The control pretty much declared throughout the four films since 1999 of The Matrix, as control via fear-- that is, when a fear choice is taken over a love choice. The enactment to reclaim the love choice, is however, made clear to me (at least) is about fearlessness--call it "fearless"--but it is fearlessness nonetheless--utter and shown as a harder choice (it seems) for women (and mothers) than for men. But, I'll let you all decide what dramatics are going on in this great piece of art--again, congrats to those who all made this latest film possible. I do trust the teachings from it will have more impact, 20 years later, in this self-reflective work with a critical edge. 

What are the Matrix teachings?, you may ask. They are, based on my study of this film series since 1999, a most poignant and deeply powerful set of "fearlessness teachings"--of the Fearlessness Movement--and, if viewers miss that, it's sad, but truly most people don't see the full depth in this art work project. It's profound. And it is available to learn from.