ethics (2)

For many years, if not centuries, philosophers, theologians and other critical thinkers have questioned the nature and role of fear. When is fear working for us in a good way and when is it not? This question and others related to it have been of philosophical and ethical interest in how to manage one's life and society, in a good way. I myself have off and on entered into these arguments as a fearologist and fearanalyst. I have had many disagreements with others [1]. That is a vast literature and exploration for the keen learner to explore.

But for purposes of this short posting, let me offer a very interesting clear (albeit, a rather incomplete analysis with flaws) paper published recently that makes an argument for the 'weaponizing of fear' as ethical and pragmatic to bringing about good ends (note: Middle-eastern Abrahamic religious traditions have done this as well). The article by Akande (2024) brings with it an African perspective of traditionalism (e.g., Yoruba, argues Akande) with rational philosophy (i.e., pragmatism) and suggests the better way to go in controlling cruel treatment of people towards animals (and their rights)--is to bring fear into the people rather than attempting to bring love into the people [2]. The latter, so Akande argues, has failed pragmatically. Such love-based approaches fail to stop people abusing animals, so he assumes in his pragmatic ethical philosophy. Taboos work, according to Akande--i.e., weaponizing fear works. 

So "rational fear" is proposed as a solution to human cruelty, which IF the author is correct, is to be generalized to improve peace on the planet in general. 

I have attached Akande on weaponizing fear.pdf published in Aquino: Journal of Philosophy 4(2). 2024, entitled:

"THE USE OF FEAR IN ANIMAL RIGHTS DISCOURSE: AN ETHICAL PRAGMATIST APPROACH"

[note: Akande cites minimally fearist thinkers, like Desh Subba, Michael Eneyo, and myself and Akande even uses the term "fearism" as an alignment with his own philosophy, but he does so in a very narrow ascription and under-theorized way making his arguments suspect to incompleteness and distortions] 

I would like to thank this philosopher Akande Michael Aina, a Nigerian philosopher, for tackling this debate and I would like to see more debates continue on this topic. So, do write and discuss things here on the Fearlessness Movement ning, for example. 

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End Notes

1. Most of those debates have been published in articles in the International Journal of Fear Studies a few years ago. 

2. I think that oppositional binary of the debates is the first major problem--I offer a third route, which is "fearlessness." Akande does not even mention this option in their paper. 

 

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The above logo (I created) is Barbara and my new collaboration as artists-researchers-teachers, as we have just moved back to Canada and settled in Calgary, Alberta. Studio M* is a place and space for us to co-create with the Calgary Community (in particular the Beltline Neighborhoods downtown), and beyond that with anyone in the world who wishes to be in collaboration with us and wants to utilize Studio M*. Barbara has posted an initial blog ("Barbara Bickel tumblr") on this project, and the location of McHugh House (120 yrs. old) where our studio 6 space is--which I encourage you to have a look at some of the earliest stages of our creating and imagining. We're very excited about the possibilities... 

As for why this is important to the Fearlessness Movement per se, I would encourage you to read the Studio M* Manifesto (version/exhibit #1.0), I have reprinted the Manifesto below (notice the particular reference to "without fear")... So, if you are interested to be a signatory of this Manifesto contact us r.michaelfisher52 [at] gmail.com and if you are traveling and want to drop by the studio to see what is going on, and if wish to join our Studio M* envisioning processes, then WE INVITE YOU to participate and help build a synergy that can make a positive difference. We look forward to hearing from you. If you are interested in doing some kind of creative/artistic Residency with us, give us an email: r.michaelfisher52 [at] gmail.com and we can talk about potentials for you using Studio M* ... that is, if you find our Manifesto in some way resonates with you and your work in the world... 

Studio M* : Manifesto    Exhibit #1.0 (Aug.-Sept., 2017)

         WE are a research creation lab intersecting Arts, Culture & Healing

  • WE are committed to an inclusive & expansive curatorial practice that stems from the Latin root curare- “to take care”
  • EVERYTHING is encountering others, human & more-than-human, a tableau of unique creative collaborations
  • WE commit to a Matrixial co-poetic paradigm of Artworkings in radical trust
  • WE practice a co-relational Aesthetic as foundational and preceding the Ethical, while both ought to inform the shape of the Political
  • WE live with the premise that EVERYTHING began without fear... imagine that!
  • SPONTANEITY is the life-blood-water of play, humour, sociality, sustainability, health & ecological sanity

 

Signatories:

 

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*M stands for “Matrixial” theory based on Bracha L. Ettinger’s art & philosophy. See, for e.g., her book The Matrixial Borderspaces published in 2005 by University of Minnesota Press. Or a good video of Ettinger with art historian Griselda Pollock, go to "Istanbul in/+ Leeds Event 3: Making with Bracha Ettinger": https://www.youtube.com/watch?v=JqwWIr3WjxU

Studio M* is a restorative and transformational learning, teaching, and creative inquiry space for all. Co-conceived by artists-researchers-teachers Drs. Barbara Bickel and R. Michael Fisher. 

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