"The Uses of Beauty and Order" (a 13 pp booklet) by the founder of Re-evaluation Counseling (Harvey Jackins) came out in 1972 and talks of the "environmental crisis" facing human beings and that we are responsible to "clean up"  our messes... meaning, not only the physical 'garbage' we 'dump' but on the inside 'distress' ('garbage') we also hold inside our body/mind and social systems and institutions that function upon philosophical premises of oppression is 'normal' and that's the way it is. That's human nature for us to be violence, and dumping on each other, etc. Jackin's, peer-to-peer theory and praxis is a marvelous tool that I have used since the early 1980s, and am still using it as a way to not let my distress accumulate (as 'fear' patterning) in any ways, and mostly in ways that stop me from being a fully alive, creative being who is interested in beauty and order in the environment (inside and outside). That's why in this publication Jackin's argues:
"With discharge [via peer counseling sessions] we can begin not only to realize but to act on the truth that every human being is gifted artistically, in the visual arts and in all others. In the meantime, it is perfectly possible to take a length of wire and bend it into an interesting shape, then mount this piece of wire sculpture in a prominent position. It's possible to take some torn pieces of tinted or colored paper and move them about on a sheet of cardboard until the arrangement pleases the arranger, glue them in place and, with such an 'abstract collage' mounted on the wall, be continually reminded of one's own ability to create beauty. A poem or verse which one has composed belongs in plain sight to be read and looked at. This will be another signal that one is a creative human being in charge of the environment [as a steward, and co-maker, co-participant in evolution itself]." (p. 12)
I recently am working on an art project with stones (a 1/2 dump truck load of them) which most people use only to "decorate" their landscapes and keep down weeds and grass from growing (as a suppressant). I am working with the stones in an artist residency right now to make them interesting, beautiful and even sacred... I just am learning how to do that with children at the daycare center and kindergarten school where I am artist in residence, and of course, then there is the difficult challenge to get the staff and parents and other adults around the children to 'attune' and 'resonate' with the words and direction of Jackin's (above)--and to playfull engage as part of their day in making art, and connecting with the art of the stones I am working on their premise. Mostly, the adults are quite in a "rut" from what I can see, and they can hardly gaze to the environment around them. Often they are on cell phones when they leave their car and walk to work, and often they have a preoccupied (if not worrying) mind about what they are doing and what is happening and how this or that is going to coordinate. They are managing their lives. This management paradigm is quite working in the opposite direction of a creative-artistic-aethetic paradigm.
As a fearologist and artist, what I am interested in is the role of fear/anxiety and how it shapes one's creativity, aliveness, and everything else in the environments we make, the relationship we engage in any moment in time. Too often, most all people are living lives feeling a "victim" (prisoner) of some kind, and often they are not aware they feel this but are just on 'autopilot' doing things that are functional and help to manage their day. Jackins' experience is that human beings who have been hurt and not fully allowed to heal their hurts from birth onward, are carrying distress-based (fear-based) patterning in their nervous system and memory systems, and when that accumulates there is a sense after awhile of feeling like the environment is "hostile" (more or less) and one has to try to survive within it--but for Jackins, like myself, the hostile perception (as a fear projection and defense mechanism) can become quite distorted and totalizing of one's inherent being and destroys the best part of our human nature. This is, says Jackins, due to "past fears of isolated groups of human beings in danger from weather, disease or other hostile forces" but his point is, that within a healing culture (practices) such dangers/fears can be healed through adequately so that humans do not carry around trauma (unhealed painful memories) for any length of time beyond what is necessary. The past thus, when unhealed, turns to dominate our nervous systems and thinking patterns, we 'become our distress' (i.e., our fear patterning). We feel victimized. We then justify our behaviors that come from fear-based (distress-based) sourcing. We even justify that it is okay we oppress others and accept our social oppression because that's the way it is--the world is hostile, etc.
Fearlessness as a paradigm is quite in the opposite direction of this fear-based paradigm of victimization and oppressive patterning. Thus uses of beauty and order making (healthy creativity to enhance one's world individually and collectively) is a way to stay in "present time" reality (says Jackins), and that leads to a greater humanity and care for everything to follow from that. Arts and aesthetics, are critical to good fear management/education.
1. To be clear, I use "clean up" in this context within a sophisticated therapeutic philosophia (or therapia) based on many traditions but in particular I most recommend the theorizing of integral philosopher Ken Wilber on "Cleaning Up" as one of four calls to come to full consciousness and attention in the best way humans are potentially able--and, such a mode of "cleaning up" is not just some psychological clinical, homogenizing, white-washing, or purification schema of a germophobia, xenophobia, paranoia about Nature--no, I and Wilber are talking about something very different and you may wish to read his writing on "Cleaning Up" in this larger transpersonal and evolutionary perspective; see Wilber (2017), pp. 11, 75, 264-66, for e.g. (also see his writing on the analogous process of "shadow work"). Wilber, K. (2017). The religion of tomorrow: A vision for the future of the Great Traditions--more inclusive, more comprehensive, more complete. Shambhala.