I've long been a believer that artists, and the aesthetic mode of thinking, feeling, acting (that is, the arational) is a more effective way to change our fixed and overly-conditioned ways of thinking about anything--especially "fear" itself. So, in the above 'play' I situate two major concepts, and phenomena, and now they sit within a 'taoist' model or philosophical system of thought and imagination. I wonder what new could be discovered if this re-mapping of both Taoist philosophy and the understanding of fear in general could be adopted--as a thought experiment. So, if any of you want to try and play with it. I'd love to see what you come up with.
